![]() For my kit, I created filters for 3850 K and 3200 K for each of my flashlights. While the chart is extensive, I would suggest not getting too wrapped preparing for all the options-it’s unlikely that you’ll be shooting at nine different white balances. ![]() You can download the guide by clicking here or on the image below. Then we put all the results into a guide to assist other night photographers who would like to remove unwanted color casts from their Coast lights. I then determined which Lee Filters gels would neutralize the color while also adding a little warmth to the light. (For a rundown on these, see Matt’s post “ How to Choose the Right White Balance for Night Skies” and my post “ Making the Move to Manual White Balance.”) I tested each of nine white balance settings (5500, 5000, 4800, 4500, 4200, 4000, 3850, 35 K), with each flashlight set at both high and low power. My goal for the tests was to determine the proper filtration for the HP7R and HP5R with a camera set to the white balances most often used for night photography. (Thank you, MAC Group! Your gracious loan benefits us all.) Since I don’t own one, the generous folks at MAC Group arranged to loan me a Sekonic C-800 SpectroMaster. They are, however, an invaluable tool in commercial/advertising photography and in the film industry. Admittedly, color meters are expensive and not generally used by the average photographer. Now I can paint with neutral light at any white balance.įor this I needed a color meter. While the results were close to accurate, this past summer I decided to look for more precision, so I set about running color tests with the aforementioned flashlights (my favorite two to use). In both of those posts I used a decidedly unscientific method of performing the color tests. This is a common setting for shooting in urban areas at night, as most streetlights and other city lights are rendered overly orange when white balance is set to Daylight. In the second part I followed up with how to filter Coast HP7R and HP5R flashlights to provide a neutral color when the white balance is set to 3200 K. This all revolved shooting at Daylight white balance. In the first part I talked about the pros and cons of LED flashlights, color theory, white balance, testing your flashlight’s color and how to fashion your own custom filters. In the dialogue that appears, simply click the box that says ‘Neutralize’.In 2017 I wrote a two-part blog post titled “Level Up With Light Painting: Correcting the Color of Your Flashlight,” which discussed the color biases of flashlights and how to filter them to neutralize that color when shooting at different white balance settings. To quickly color correct, go to Image>Adjustments>Match Color. Usually I do color corrections early on, and then continue with the rest of the workflow. I just blended two exposures using Raya Pro. Please note, I haven’t done any post-processing to this scene, that is why the contrast is flat. Although I want to correct the color cast, I would like to keep some of that pink, just to add some extra warmth to the image. ![]() In this tutorial we work with an image with an extremely strong, pink cast. Just press the download button at the top of the page to get the action.Ĭolour Correct Action: 5 Different Ways to Color Correct Some are instant, whereas others need a little bit of tweaking first.įeel free to download my free color correction action from the link below. This tutorial will show you 5 techniques that help you reduce or remove a color cast in your image. Having a greater number of tools to deal with any situation ensures we come out with an image we’re happy with. And though both Photoshop and Lightroom offer a treasure trove of tools to remove even the strongest color casts, experienced Photoshop users know that not every technique performs equally on every image. Raya Pro-his Digital Blending plugin-and more of his post-processing courses can be found on his official website.Įvery now and then, we create an image with an extremely strong color cast. His photos have been published in local and national magazines, including the BBC. Jimmy McIntyre is a world-renowned travel photographer, educator, and 500px ISO contributor.
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